Is the Shroud of Turin a fake or a forgery as many say? Or is it truly the cloth that covered the body of Jesus Christ by Joseph of Arimathaea?
DO NOT BE DECEIVED. ‘Seek and you will find’ said Jesus.
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
The Evidence and The True Face of The Shroud Book and film.
We are in the last days. Now the scoffers have been and gone. It is Time.
Discover the TRUTH here for FREE.
Here you can learn what scientists have now discovered.
Sit down and fasten your seatbelts. What I am going to tell you is that, according to scientists:
The absolute proof that the Shroud could not be a forgery.
Here you will learn scientists claimed that the corner from which the radiocarbon sample had been taken was in fact a re-woven, patched, or repaired corner.
You will also learn about Marino Benford’s and Sue Benford’s brilliant bit of detective work. They found clear indications of a discrete repair to the Shroud.
Here you will learn about Ray Rogers who was an explosives research expert and thermal analyst. He discovered Madder root dye and gum on the fibres of the Shroud. This is clear evidence of the careful mending of the Shroud that was intended to be imperceptible and of a thread indicating a medieval repair.
Here you will learn about Peter Shumacher, the inventor of the NASA VP-8 Image Analyser describing the discovery of the 3D image. He states; ‘I had never heard of the Shroud of Turin before that moment. I had no idea what I was looking at. However, the results were unlike anything I have ever seen’.
Script By Matthew Tulloch Produced By Simon Brown
The crucifixion is the most significant event in the history of man, when God’s son Jesus Christ died so that we may be saved. Since that day, people have struggled to prove to themselves and others that the events described in the Bible really happened. Yet there remains only one real piece of concrete physical evidence for us to look to in order to discover the true face of Jesus.
The Shroud of Turin is said to be the burial cloth of Jesus, and it is at once the most controversial and talked about artifact on the planet.
Analyzed for hundreds of years by scholars and scientists, many believe that the Shroud holds the key to proving once and for all that Jesus died for our sins just as described in The Bible.
Now we believe we can do just that, with the help of some skeptical scientists...
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
A brilliant chemist
And the man who photographed the Shroud over thirty years ago, and was so touched by the experience that he rededicated the rest of his life to spreading the message of the Shroud as far and wide as possible. Barrie SCHWORTZ states ...and he said, "Well look Barrie, let me give you some advice. Go over to Turin, do the best job you can and one day you'll know why.
Because God doesn't tell you in advance what the plan is.
Join us as we embark on a journey to uncover the truth about the Shroud of Turin and the true face of Jesus Christ.
Unless I see the scars of the nails in his hands, and put my finger on those scars, and my hand in his side, I will not believe. John 20:25
The world is full of Doubting Thomases, people who need to see with their own eyes the physical proof of things that others are willing to believe on faith alone. Seek and ye shall find, said Jesus, and it was in this spirit that the Shroud of Turin Research Project set out in 1978 to try to uncover the truth about the Shroud.
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
Dozens of the world’s best scientists from the Los Alamos National Scientific Laboratories, the U.S. Air Force Academy and NASA’s Jet Propulsion Lab, amongst others, converged on Turin, where they spent 120 hours running over 1,000 tests and taking over 30,000 photographs of the cloth in which Jesus was buried. Amongst them was expert photographer Barrie Schwortz.
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
BARRIE SCHWORTZ INTERVIEW
I founded shroud.com over 15 years ago in 1996, and that web site has grown to become the largest, and the oldest, and probably the most relevant web site on the Shroud of Turin on the whole Internet. And the reason for that simply is that I have no bias from a Christian or non-Christian point of view. I can stick to the science, I can stick to the facts... Barrie Schwortz, like many of the
scientists on the Shroud Research Team, was a sceptic. He was in Turin as a professional just doing his job. But what the team found when they got there it was to change their lives forever.
BARRIE SCHWORTZ states ...there were hundreds of tests taken in 1978 that indicated the shroud was not a painting, was not a photograph, it was not the kind of thing that one would expect to be a manufactured relic.
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
BARRIE states ...a wealth of other evidence gathered by our team and others indicated that Shroud was not a fake, that it was not a medieval painting, forgery, hoax, photograph, rubbing, etching, dust painting... these are all things that had been basically used to describe the shroud and what it might have been.
So the first thing that the scientists found, much to their surprise and delight, was that the Shroud was not a fake. At least in so far as it was not created by any artistic means currently known to mankind. All of the research team’s tests indicated that this was a genuine burial cloth. But then how could they be sure that it was actually the shroud of Jesus Christ and nobody else?
BARRIE SCHWORTZ states Now when you look at the shroud a little closer you'll also see a number of stains, the most important of which if you look directly near his heart, is the darkest blood stain which we call the 'spear wound' blood stain, that appears on the shroud.
Blood stains near the wrists of the man of the Shroud.
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
Jesus on the cross showing wrists of the man of the shroud.
BARRIE SCHWORTZ states So unlike all medieval and renaissance art, the shroud shows it forensically accurate in the wrist.
The researchers discovered that if the Shroud was a fake, it must have been created by an artist with a comprehensive understanding of the forensics of crucifixion. Something that virtually no other artists of that period have demonstrated. But there was more...
Front view of the shroud showing blood stains
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
THE GOSPEL OF JOHN - tells us that PILATE said to the PHARISEE
What do you accuse this man of? The PHARISEE replied "We would not have brought him to you if he had not committed a crime. PILATE replied "Then you yourselves take him, and try him according to your own law. PHARISEE replied "We are not allowed to put anyone to death. This happened in order to make come true what Jesus had said when he indicated the kind of death he would die.
So Pilate had Jesus whipped and scourged instead to try to pacify the Jewish authorities and save Jesus from execution.
THE GOSPEL OF JOHN tells us The soldiers made a crown out of thorny branches, and put it on his head. Then they put a purple robe on him, and came to him, and said, “long live the king of the Jews!”
But Pilate was unsuccessful, and the people demanded that Jesus be crucified. So Jesus was one of the few people to have been treated this way before being crucified, and therefore one of the few people to whom the Shroud of Turin could possibly belong. And what of the crown of thorns mentioned by the gospels?
THE SHROUD, SHOWING THE BLOOD STAINS ON THE HEAD
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
So far, so good! Over a thousand tests later, the research team had determined that this was very possibly the true burial shroud of Jesus. The whole world was abuzz with talk of the Shroud of Turin, and what it might mean if we finally had real, physical, undisputable scientific proof of the crucifixion.
But then something happened to throw the whole question into doubt again.
BARRIE SCHWORTZ states Probably the most important scientific test that was performed on the Shroud of Turin after our examination of the cloth in 1978 was the carbon 14 or radiocarbon dating that was performed on the shroud in 1988, ten years later.
C14 corner
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
C14 CORNER SAMPLE ZONE
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
BARRIE SCHWORTZstates Although in our photographs of 1978, even the regular white light photographs, there was a different colour in that area. But we weren't really that concerned about that part of the shroud, since we weren't thinking about radiocarbon dating in 1978, so we didn't pay that much attention to that corner. In 1988, that's the corner they sampled from, they took a piece and cut it into thirds, and each was distributed to the three laboratories that remained involved in the testing.
So they took their sample, they did their testing, they came out with their results which was a medieval date, 1260-1390 I believe, and they with much fanfare went up on the television, and the media, and the world headlines were, "Shroud is a fake!"
Sounds familiar? The common answer of the Doubting Thomases these days, when faced with the question of the Shroud of Turin, is to bring up the carbon dating. Three different teams of scientists tested a piece of the shroud and found that it was only seven hundred years old. It couldn’t possibly have been the burial shroud of Christ. It isn’t nearly old enough. You can’t argue with that. It’s science. Well you know what? We agree. And the original Shroud research team agree. And for a while it left them completely puzzled...
BARRIE SCHWORTZ states So at the end of this period of 1999 when the results were announced, those of us who were involved with the study of the shroud from a truly scientific point of view were left scratching our heads and wondering, "how could this be?"
In fact the answer was right infront of their eyes, or had been all those years ago when the team had a discussion about which part of the shroud to take for carbon dating.
BARRIE SCHWORTZ states So interestingly enough, there was a two hour debate as they stood over the shroud as to where to take this single sample from. And ultimately it was decided to take it from a corner of the shroud They went away, none of them performed the chemical analysis that was called for by their own protocol, and when they were asked why the response was, "well we know which sample the shroud was, so we didn't need to do the chemical analysis."
None of the three teams entrusted with carbon dating the Shroud sample followed their own protocol to make sure there was nothing wrong or unusual about the piece of the shroud they had chosen for their tests. At the time, and when news of the test results hit news stands around the world, nobody knew whether this oversight would have made any difference. But one man was determined to find out.
RAY ROGERS
© 2002 Raymond Rogers Collection, STERA, Inc.. All Rights Reserved
Born in Albuquerque, New Mexico, Ray Rogers was an explosives research expert and thermal analyst with the Los Alamos Scientific Laboratory for over thirty years before serving on the Department of the Air Force Scientific Advisory Board, where he held the equivalent rank of Lt. General and earned a Distinguished Service Award. Ray Rogers wasn’t just a scientist, he was one of America’s finest. He was also part of the original Shroud of Turin research team in 1978.
Marino and Sue Benford, brilliant bit of detective work.
BARRIE SCHWORTZ states Ray Rogers re-addressed the shroud. He was ill, and his time was coming to pass away, and he knew that he hadn't really completed what he had begun, and so Ray decided that he would revisit this issue of the shroud. And one of the first things that prompted him to do so was a paper that was published in 2000 by Joe Marino and Sue Benford, Story continued-that claimed that the corner from which the radiocarbon sample had been taken was in fact a re-woven, patched, or repaired corner.
(photo) Medieval Re weaving the Shroud of Turin
It was a brilliant bit of detective work. Sue Benford and Joseph Marino consulted with several textile experts. They examined the documenting photographs of the carbon 14 samples and other close up photographs of the Shroud. They found clear indications of a discrete repairs to the Shroud. The repair seems to have been what modern tailors call invisible re weaving. This results in an intermingling of new and older thread.Threads are even spliced together. The newer thread is carefully dyed to match the older material so as to make it almost invisible to the naked eye.
This was a common method by which artisans repaired valuable tapestries during the middle ages.
Rogers saw their paper and called me up and said, "Look, I'm going to prove these people wrong and it's only going to take me five minutes." And I said, "Fine Ray, you do what you have to do." I mean he was a scientist and wasn't asking my permission anyway. Ray told me afterwards that he spent one hour examining samples he had from that corner where the radiocarbon dating sample had been removed, and he said after one hour he found that Benford and Marino were correct, and that he was wrong, and there was evidence that this corner was anomalous.
RAY ROGERS
© 2002 Raymond Rogers Collection, STERA, Inc. All Rights Reserved
BARRIE SCHWORTZ states Now remembering that Ray Rogers is a chemist, Ray took his sample and he performed a chemical analysis and a microscopic analysis. What the microscopic analysis revealed was a gummy substance on the surface of the fibres on this corner.
Madder root dye and gum on fibres. This is clear evidence of careful mending intended to be imperceptible.
© 2002 Raymond Rogers Collection, STERA, Inc. All Rights Reserved
Now when he did the chemical analysis of the 'gummy' substance he found that it was gum Arabic, and when he looked at the gum Arabic under the microscope he found little particles of a dye that came from from the Madder Root plant.
History
Madder roots have been used as a dye for over 5,000 years. Archaeologists have found traces of madder in linen in Tutankhamen’s tomb (1350 BC), and in wool discovered in Norse burial grounds. This was a strange discovery which, on its own, offered no real answers about how the radiocarbon dating could have produced such a strange result. But there was more...
BARRIE SCHWORTZ states The other thing that he found that was very unique was cotton interwoven with the linen itself...
Thread found indicating a medieval repair
© 2002 Raymond Rogers Collection, STERA, Inc. All Rights Reserved
There was no cotton found anywhere else interwoven with the fibres of the shroud linen, so this made it unique.
Well this changed everything, and consequently Ray found a splice in one of his samples, he actually found an end-to-end splice, and this is not found in the rest of the shroud, one can look at the transmitted light photographs I made (light passing through the shroud) and in many places you could see where at the end of a piece of yarn, a hank of yarn, when they had to attach a new hank of yarn, they just laid them literally one on top of the other and slammed down the loom device, and kept on weaving. There were no splices found elsewhere on the shroud, though there is a splice in this corner.
© 2002 Raymond Rogers Collection, STERA, Inc. All Rights Reserved
BARRIE SCHWORTZ states Now to be certain that he was correct, because Ray was a really empirical scientist, Ray Rogers obtained a reserve piece of the actual sample cut for radiocarbon dating back in 1988 from the Turin authorities. So he obtained this sample and he performed the same chemical analysis on this and found exactly the same thing. So we now know that this sample, this corner of the shroud is anomalous and is not the same as the rest of the shroud. 5-K-10 small.jpg Remember that when Ray Rogers decided to undertake this new test, he didn’t believe that the corner of the shroud could have been re woven or in any way tampered with. The people who were suggesting as much, their theory was ridiculous, he said. They weren’t scientists, he said. He was going to prove them wrong in five minutes, he said. Instead, it took Ray Rogers just five minutes to undermine the single biggest doubt cast upon the legitimacy of the shroud.
TO READ MORE ON THIS ARTICLE GO TO LINK AT THE BOTTOM.
BARRIE SCHWORTZ states Now this is extremely important obviously from a radiocarbon dating point of view because if there was a re-woven section done sometime in medieval times, then by all means that would yield a different radiocarbon date than some of the shroud that was not manipulated elsewhere on the cloth. So had more than one sample been taken perhaps we would have had
some indication right away that there was a discrepancy between this corner and the rest of the cloth. But because that was the only sample taken everybody drew their conclusions virtually from a single sample. And although three different labs tested it they all tested the same sample, so it was really only one test done three times, not three different tests, because they all use the same AM/FM radio radiocarbon dating technique.
Ray Rogers
© 2002 Raymond Rogers Collection, STERA, Inc. All Rights Reserved
It’s important to keep in mind the backgrounds of Ray Rogers and Barrie Schwortz. Ray, one of the world’s top chemists, a sceptic, who refused to believe until he carried out an experiment forhimself that the radiocarbon dating could have been flawed. Barrie, also a sceptic when he joined the Shroud research team, a Jewish man investigating a Christian relic. These guys placed their absolute faith in science, and in facts, and spoke only the truth as they saw it with their own eyes. They had no hidden agendas. But were there others involved in the Shroud research who did have their own agendas? It’s an interesting question...
In the gospel of John Jesus tells us Those who speak on their own authority are trying to gain glory for themselves. But he who wants glory for the one who sent him is honest, and there is nothing false in him. BARRIE SCHWORTZ states Perhaps the greatest irony of this whole process is that had the three laboratories performed the chemical analysis that was part of their original protocol back in 1988, had they performed that chemical analysis, had they looked at these samples under a microscope and then chemically as Ray Rogers did, perhaps they too would have found this anomaly in this area and then gone back and said look, we do have to get some samples from elsewhere on the shroud. But that's not what happened. What happened was, they were satisfied with the single sample. They didn't perform the chemical analysis. And considering that this was claimed to be a 'blind study', meaning they weren't supposed to know which samples were which, yet by their own admission they didn't do the chemical analysis because they knew which samples were the shroud. So somehow there's a discrepancy that I won't go into.
Photomicrograph of fibres from a warp segment of carbon-14 sample. Chemically, it is unlike the rest of the Shroud.
© 2002 Raymond Rogers Collection, STERA, Inc. All Rights Reserved
Now when we think about it, all that Rogers really did was finish what they had started by getting a reserve portion of the same sample that had been cut, by performing both the microscopic and chemical analysis, Rogers was able to determine that this area of the Shroud of Turin was different from the rest of the cloth.
The Filmy Substance That Holds the Pictures of Jesus
Phase-contrast microscope picture of a single fiber from the Shroud TurinThe substance is a dried carbohydrate mixture of starch fractions and various saccharides (sugars). It is as thin (180 to 600 nanometers) as the wall of a soap bubble. It is thinner than the invisible glare proof coating on modern eyeglasses. The coating is only found on the outermost fibres of the thread. In fact, it is only found where the fibres are close to the surface of the Shroud's cloth. In other words, the fibres inside the thread, deep in the cloth, do not have this filmy substance. Another important fact is that the carbohydrate coating can be removed by scraping or by pulling it away with adhesive tape. Over the years, as the Shroud of Turin was folded and unfolded, rolled up and unrolled and spread out across rough surfaces, microscopic bits of the filmy substance certainly flaked away. In fact, when the Shroud was examined in 1978, pieces of the substance -- pieces of the pictures -- were pulled away when adhesive tape was rubbed on the Shroud to collect particulate samples for research. Today, countless tiny bits of these pictures of Jesus, even whole fibres of the Shroud's cloth, are stuck to microscope slides and sampling tapes in laboratories in the United States. Scientist have a pretty good idea about how the the coating got there. It wasn't brushed on or wiped on as one might apply sizing to a canvas before painting. Had that been the case, the starch and sugar mixture would have soaked at least part of the way through the Shroud. Fibres inside the thread would have been coated. Capillary action would have pulled the mixture into the middle of the threads.
TO READ THIS FULL ARTICLE GO TO THE LINK AT THE BOTTOM OF THIS PAGE.
Story from above continued Now that's significant because in essence what was tested was an area that had been repaired, re-woven, patched, whatever word you want to use.
BARRIE SCHWORTZ states But that brings me to the subject of the visible detection of this, because some of the authorities in Turin continued to insist that Ray Rogers was wrong and this was impossible because they don't see a repair. Well, that is a very valid point because usually when something's re-woven, if you look on the back side you'll see threads sticking out. In other words, we only in modern day re-weaving repair the side that is to be viewed, the outside of your trousers when you burn a hole in them and you get them re-woven, the outside looks perfect and you can't find it but on the inside you can see where the repair was made.
Madder root dye and gum on fibres. This is clear evidence of careful mending intended to be imperceptible.
Cloth showing weaving was so perfect.
© 2002 Raymond Rogers Collection, STERA, Inc. All Rights Reserved
BARRIE Well interestingly enough, in the fifteen and sixteen hundreds the French had perfected something that they called 'invisible re-weaving'. Now when this first was mentioned by Benford and Marino most people just sort of waved their hands and said, "Please, if this was there we would have seen it by now!" Well Benford and Marino quoted from a reference, one of their references was a book written by one of the curators of the Metropolitan Museum of Art, a textile expert in his own right, and he devoted two entire chapters to French invisible re weaving. And it was perfected in the French court at the same time the shroud was documented to be in France. And secondly, according to the expert, this type of re-weaving was so perfect, and they had perfected it on both sides of the re-woven cloth, that the only way anyone could detect this would be with a microscope and to know exactly what to look for and where to look for it, otherwise it would remain invisible. It's that good.
Cotton fibers coated with gum
This colour enhanced image shows the intermixing of old and new threads found in the Raes sample. Rogers observed that, unlike 1st century splicing that compressed two ends together, this splicing technique twisted the two threads together.
(photo) sample taken from here. C14 Area
Well, it's very hard for a skeptic to believe that such a technique could be even in existence, particularly in medieval times. And yet, there is absolute scientific evidence to the fact that this technique was performed and that the shroud was in fact in France at this very same time. BARRIE SCHWORTZ states So there seems to be a correlation that obviously if there is a repair, and the shroud was in France, what better object than the Shroud of Turin would the King of France or the French court choose to use this spectacular technique on than this cloth, reported to be a relic of Jesus?
Ray Rogers had not only blown a hole in the carbon dating ‘evidence’ frequently used by doubters to discredit the Shroud. The only piece of hard scientific evidence in fact to cast any serious doubts on its authenticity, but he had also enlisted the help of textile experts to explain the results that he was seeing. But what would the international scientific community make of these findings?
BARRIE SCHWORTZ states So what conclusion can we draw from all of this? Well there is no doubt that the work of Ray Rogers, which by the way isn't just published in a TV documentary or a web site or a magazine or some commercial book, Ray Rogers submitted his research on this anomalous sample to one of the finest chemistry journals in all of the world, a journal named 'Thermochemica Acta', and they spent seven months reviewing his work, making him make changes, going back and making him re-do certain parts of his experimentation, furthering his documentation of what he'd found, and after seven months his paper was published in January of 2005. So we now have the first piece of peer-reviewed scientific evidence that's appeared in a refereed scientific journal, proving that the sample used in 1988 for the radiocarbon dating of the shroud was in fact anomalous, did not represent the main body of the shroud cloth, and consequently the Shroud of Turin itself was not dated but only this repaired corner was dated, which was obviously a synthesis of both old and new threads yielding the medieval date that was concluded by the 1988 radiocarbon dating. So that test, if we just look purely at the science, forget about all the other commercial aspects and the bloggers and the pundits, looking solely at the science this is the first conclusive evidence that indicates that the Shroud of Turin itself was not dated...
... but a repair was. Now there are many people who disagree with this, and they'll continue to disagree, and my answer to that is simply this: That if somebody finds something wrong in what Ray did, Ray Rogers himself would have been the first to say publish it, get it into the literature, and I will change my mind, as he had done on more than one occasion in the world of the shroud. As new evidence came in Rogers was flexible, and was willing to accept that his original opinions and conclusions might have been wrong, and was willing to change as the evidence showed otherwise. That's what I call real science.
Real science performed by the Shroud of Turin Research Team in 1978, and continued by the likes of Barrie Schwortz and Ray Rogers, indicates that not only is the Shroud -not- a fake, but also that the main piece of evidence against it, the radiocarbon dating, is significantly flawed so as to be practically useless. As Barrie says, the scientists found that the Shroud was not a medieval painting, not a forgery, a hoax, a photograph, rubbing, etching, dust painting, or any of the other possibilities suggested by the doubters. Yet there were still doubters. If only we had some other piece of evidence to corroborate the story of the Shroud... What many people don’t realize, is that we do... Cathedral of San Salvador in Oviedo, Spain. Fiercely protected behind lock and key at the Cathedral of San Salvador in Oviedo, Spain
Fiercely protected sits a great wooden ark.
© 1978 Mark Evans Collection, STERA, Inc. All Rights Reserved
Wooden ark
© 1978 Mark Evans Collection, STERA, Inc. All Rights Reserved
The metal front, fashioned in distinctly Roman style, shows the image of a man on what appears to be a throne, surrounded by twelve other figures. Legend has it that this chest was kept secretly in a cave near a monastery in Jerusalem until the seventh century, when Persian invaders forced the monks to flee, taking the ark with them to Spain. They risked their lives to keep this box safe because of what it contains
THE GOSPEL OF JOHN 20.
King James Version tells us:
1 The first day of the week cometh Mary Magdalene early, when it was yet dark, unto the sepulchre, and seeth the stone taken away from the sepulchre. 2 Then she runneth, and cometh to Simon Peter, and to the other disciple, whom Jesus loved, and saith unto them, They have taken away the Lord out of the sepulchre, and we know not where they have laid him. 3 Peter therefore went forth, and that other disciple, and came to the sepulchre. 4 So they ran both together: and the other disciple did outrun Peter, and came first to the sepulchre. 5 And he stooping down, and looking in, saw the linen clothes lying; yet went he not in. 6 Then cometh Simon Peter following him, and went into the sepulchre, and seeth the linen clothes lie, 7 And the napkin, that was about his head, not lying with the linen clothes, but wrapped together in a place by itself. 8Then went in also that other disciple, which came first to the sepulchre, and he saw, and believed.
Inside the Roman ark at the Cathedral in Oviedo is a piece of cloth known as the Sudarium of Oviedo. Sudarium means shroud. It is said to be the cloth that was wrapped around Jesus’ head when he was buried, as described in the Gospel of John.
The Sudarium
© 1978 Mark Evans Collection, STERA, Inc. All Rights Reserved
TO READ MORE ABOUT The Sudarium of Oviedo: go to the link at the bottom of this page.
Blood tests conducted on the Sudarium and the Shroud of Turin prove that both are of the same blood type - AB - a rare blood type amongst medieval Europeans but common in the Middle East. What’s more, pollen samples taken from both cloths place them both in the Palestine area, and textile experts have confirmed that the Sudarium is made from the same fabric as the shroud.
Are the Shroud and the Sudarium really linked? Look and ye shall find, said Jesus. There would seem to be no doubt that both the Shroud of Turin and the Sudarium of Oviedo both covered the same man.
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
A man of Middle Eastern origin who was scourged and whipped...
Back view of the shroud Nailed to a cross...
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
Shroud showing blood stains on the feet Nailed to a cross...
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
Crowned with thorns...
THE SHROUD showing THORN BLOOD STAINS
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
SUDARIUM showing THORN BLOOD STAINS.So the scientists found that the Shroud of Turin was not a fake. Not a hoax. Not a painting, or a photograph, or any of the other things that the doubters claimed. And Ray Rogers found that the radiocarbon dating, the only scientific test to cast real doubts on the authenticity of the shroud, was fatally flawed. The blood stains on both the Shroud and the Sudarium match the description of events in the gospels. Now having seen everything we have seen, let us consider again our friend Thomas.
Unless I see the scars of the nails in his hands, and put my finger on those scars, and my hand in his side, I will not believe.
Surely the modern day Doubting Thomases would have to agree that they have now seen solid evidence of these things. Yet many of them will still not believe. And somehow, we know that many of them never will. Why not? Well, the gospels have something to say on the matter...
THE GOSPEL OF JOHN - states This is how the judgement works. The light has come into the world, but people love the darkness rather than the light because their deeds are evil. Those who do evil things hate the light, and will not come to the light, because they do not want their evil deed to be shown up. But those who do what is true come to the light, in order that the light may show that what they did is in obedience to God.
The topographical 3 d image of the Shroud created by the VP-8 computer
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
Some people will never accept the truth because they are afraid. Maybe there is nothing we can do about that, except to plead with them to keep their eyes open. For when their eyes are open they may truly see, and the truth may come to them. Which leads us to one final, incredible piece of the scientific puzzle...
The VP-8 Image Analyzer is a computer that scientists use to make topographical maps of the moon and other things. It analyzes light and dark areas of an image to determine the three-dimensional
qualities of the object in the image. So for example, it can tell us how deep the craters are on the moon. The VP-8 analyzer needs photographs to be taken in a particular way in order to be accurate. A normal photograph fed into the machine will just display a jumbled mess of light and dark patches, because the light and dark areas of a regular photograph have little to do with how far away the subject is. Well just out of curiosity, a group of scientists at the Los Alamos National Laboratories fed a photograph of the Shroud through a VP-8 image analyzer. This is what they saw...
The topographical image of the Shroud created by the VP-8 computer shows very clearly the image of a man in three dimensions. The image is darker where his body would have touched the cloth directly, like his nose, and fainter where it would have been farther away, like his neck. In fact the VP-8 map of the Shroud shows the image of the man more clearly than ever before, and in doing so proves once and for all that the Shroud of Turin cannot possibly have been made using photographic methods. In fact this discover convinced the scientists at Los Alamos that the image on the Shroud must have been formed by the cloth being draped over a real human being.Peter Shumacher, the inventor of the NASA VP-8 Image Analyzer, describes the discovery of the 3 D image.
I had never heard of the Shroud of Turin before that moment. I had no idea what I was looking at. However, the results were unlike anything I have processed through the VP-8 Analyzer, before or since. Only the Shroud of Turin has produced these results from a VP-8 Image Analyzer isometric projection study
TO READ THIS FULL ARTICLE GO TO LINK AT BOTTOM OF THIS PAGEVP-8: the image analyzer
The absolute proof that the Shroud could not be a forgery (exhibit 4)
Sit down and fasten your seatbelts. What I am going to tell you is, according to scientists, "impossible," and yet it is an established fact.
Incomprehensible, so a "miracle." Let me begin by quoting from a passage of Professor Heller's book Report on the Shroud of Turin. Heller is a physicist and chemist. He first learned about the "shroud affair" from reading a paper in the leading science journal Science, rather shockingly entitled "The Science of Miracles." You don't have to be a scientist to listen to his story:
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The Shroud of Turin is a truly unique artifact, a three dimensional image on a two dimensional piece of cloth. This in itself is something of a miracle. It suggests that the image on the Shroud was intended to be viewed as more than just a picture. It suggests that the Shroud itself is trying to say something to those willing to look hard enough. But what? Renowned Christian scholar and medical doctor Richard Kent has some thoughts on the matter...
Jesus said, “The knowledge of the secrets of the Kingdom of God has been given to you. But to others I speak in parables, so that, though seeing, they may not see; though hearing, they may not understand.” Could the Shroud of Turin be a parable for modern times? A physical manifestation of Jesus’ promise that those who seek shall find, and that those who believe in him will understand the secrets of the Kingdom? You know, God is sending us messages every day, letting us know that he is here and watching over us, but many people never see or hear those messages because they’re simply not looking or listening for the truth. I think that if you look again at the image on the Shroud with your mind and heart open, the truth of the matter couldn't be clearer.
THE SHROUD CLOSE UP
©1978 Barrie M. Schwortz Collection, STERA, Inc., All Rights Reserved
BARRIE SCHWORTZ states And an interesting little story - When my son saw it with me in 1998, he was eighteen at the time, we stood before the actual shroud in the Turin cathedral. And being a tall kid he leaned down and whispered in my ear, "That's not a painting." Well I didn't want to disrespect those who were there in the cathedral, so I waited until we exited the cathedral and I turned to him and I said, "David, what prompted you to say that? How do you reach that conclusion that it's not a painting just from looking at it?" And he says, "Look, artists spend their whole lives trying to perfect their art, their craft, so that when they paint something it's clear, it's understandable, it's obvious. The shroud is so subtle that at the distance that we were standing we could see the image distinctly. But as you get closer, for example within arms' length of the Shroud of Turin, you have to keep stepping away from it again and asking well what exactly am I looking at? Because it's so subtle, and the closer you get the harder it is to see."
BARRIE So I think that when you look at the shroud itself, and you realize the subtlety of what's there, why would an artist even conceive of doing something like this when we have literally scores of replicas made of the Shroud of Turin by artists, professional artists, who are allowed to view the shroud itself and then paint their replica, and no-one has even come close. They're cartoon-like in comparison to the subtleties and the detail in the image of the man on the shroud. And yon no it's funny how sometimes the skeptics will say, "Well yon no the shroud is too perfect, therefore it must be a fake!" Well what's interesting about that is, if the shroud were less perfect, meaning the science of the shroud were less perfect, they would say well it's not perfect so it must be a fake. So there's absolutely no way apparently to please the skeptics who will forever look at the Shroud of Turin and say it's a fake, it's a medieval hoax. And so in the end, I think maybe the most important thing about the shroud is, it's an enigma that continues to baffle us in certain areas. You get the chemistry right and the physics isn't right, you get the physics right and the chemistry seems wrong. It seems as if it defies us. And perhaps it's meant to do so. Perhaps the real value of the shroud is in making us think about it. Is it real? And if it is, what does it mean? And so in the end, I think each one of us has to search in our own hearts, to look at the shroud, and study it, and study its image, and then we have to decide in our own hearts: What does this really mean? I don't think it's something that can be done externally, I think it's something that each of us must do in our own hearts. And I think that that may be the only place we'll ever find the answer to the Shroud of Turin.
THE GOSPEL OF JOHN tell us
JESUS said: If you remain in me and my words remain in you, then you will ask for anything you wish, and you shall have it. My father’s glory is shown by your bearing much fruit, and in this way you become my disciples. I love you just as the father loves me. Remain in my love. If you obey my commands you will remain in my love, just as I have obeyed my father’s commands and remain in his love. I have told you this so that my joy may be in you, and that your joy may be complete. My commandment is this - love one another, just as I love you. The greatest love you can have for your
friends is to give your life for them, and you are my friends, if you do what I command you. I do not call you servants any longer, because servants do not know what their master is doing. Instead I call you friends, because I have told you everything that I head from my father. You did not choose me, I chose you, and appointed you to go and bear much fruit. The kind of fruit that endures. And so the father will give you whatever you ask of him in my name. This, then, is what I command you. Love one another.
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PLEASE PRAY
Lord Jesus, you died that I might live forever in your kingdom of peace and righteousness. Strengthen my faith that I may know the power of your resurrection and live in the hope of seeing you face to face for ever. Amen.
Please do not be deceived. God has persevered the Turin Shroud to prove to you his word is true and because he loves the world. ‘For God so loved the world that he gave his one and only Son, so that whoever believes in him shall not perish but have eternal life’ - John 3:16.
This is proof of God's desire to save humans by us believing and following Jesus Christ.
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Whether you are an atheist or a agnostic, no matter what colour or race you are; by believing in the Shroud it will prove to you Jesus Christ was indeed crucified, just as the Four Gospels say. You can find true faith in Jesus Christ.
AS IT IS FAITH IN JESUS AND FOLLOWING HIM WHICH CAN CHANGE YOUR NEXT LIFE TO COME.
If you would like to know Jesus please watch this video below to Surrender Your Heart To God This will be the best decision you have ever made in your life.
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Please leave your comments at the bottom of this page as they mean a lot. After reading this article - WHAT DO YOU BELIEVE? Is the Shroud a fake or genuine? Has the shroud proved to you Jesus was crucified? Has the shroud changed your mind from being an atheist or an agnostic? Has the Shroud proved to you the Gospels are TRUE? Has the Shroud helped you to find true faith in Jesus Christ? If you are a believer has the Shroud strengthened your faith in Jesus? Do you believe the Shroud is a tool that God has supplied to prove his word is true? Do you believe believers should use it to prove God’s word is true?
- LINKS
- http://www.shroud.com/
- http://www.shroudstory.com/
- http://www.rense.com/general28/turin.htm
- Marino and Sue Benford, http://www.skepticalspectacle.com/carbon1403.htm
- http://www.shroudforum.com/
- The Sudarium of Oviedo: http://www.realdiscoveries.com/article-item.php?cat=321&id=462
- Peter Shumacher, the inventor of the NASA VP-8 Image Analyzer, http://www.shroudstory.com/vp8.htm
- The absolute proof that the Shroud could not be a forgery (exhibit 4) http://www.scienceofgod.eu/chapters/chapter09.htm
- Script By Matthew Tulloch
- Barrie M. Schwortz www.shroud.com Copyright Barrie M. Schwortz collection, STERA, Inc All Rights Reserved
- Licence Agreement between GNN International Corp, C/O Eternal Picturer Inc. The Gospel of John
- Johan Sturm Eternal Picturer Inc
- El Centro Español de Sindonología es una Asociación www.linteum.com for Images
- Dr Richard Kent www.freechristianteaching.org
- Dan Porter. http://www.shroudstory.com/
- JGD Productions http://www.scienceofgod.eu/index.htm
- Rense.com
- Frederick T. Zugibe, http://www.e-forensicmedicine.net/
- shroud.wikispaces.com http://shroud.wikispaces.com/facts13
- Simon Brown Of Real Discoveries.org Which is a non profit organization Copyright 2011 - Real Discoveries.com.Ltd
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Produced and Edited By
Lets Give Thanks to the Lord God of Abraham Isaac and Jacob who gives us victory through Jesus Chris. Amen.
WATCH THE WHOLE FILM HERE THE Evidence and The True Face of The Shroud Film Part 1